《龍鳳斗智》是由諾曼·杰威森執導,艾倫·楚斯曼編劇,史蒂夫·麥奎因,費·唐納薇,保羅·伯等明星主演的劇情,電影。
《龍鳳斗智》是一部1968年上映的美國犯罪愛(ài)情片,由諾曼·朱伊森執導,史蒂夫·麥奎因和費·唐納薇主演。該片講述了一個(gè)百萬(wàn)富翁兼搶劫集團頭目托馬斯·考恩策劃了一場(chǎng)完美的銀行搶劫,而美麗聰明的女調查員維姬·安德森被派去調查此案,并發(fā)現幕后主謀竟是托馬斯。兩人開(kāi)始了一場(chǎng)智斗,同時(shí)也擦出了愛(ài)的火花。這部電影以其扣人心弦的劇情、精彩的演技和精心設計的銀行搶劫場(chǎng)面而著(zhù)名。史蒂夫·麥奎因和費·唐納薇的表演都備受贊譽(yù),他們的角色之間的緊張關(guān)系和吸引力使觀(guān)眾對他們的命運產(chǎn)生了濃厚的興趣?!洱堷P斗智》在上映后獲得了巨大的成功和好評,成為了當年最受歡迎的電影之一。它贏(yíng)得了奧斯卡金像獎最佳原創(chuàng )歌曲獎,并獲得了最佳配樂(lè )(非音樂(lè )類(lèi))提名。此外,它還贏(yíng)得了金球獎最佳原創(chuàng )歌曲獎。這部電影以其精彩的劇情、優(yōu)秀的演員表演和出色的制作價(jià)值而成為經(jīng)典之作,至今仍被廣大觀(guān)眾所喜愛(ài)和推崇。
《龍鳳斗智》別名:托馬斯·克朗事件,于1968-06-19上映,制片國家/地區為美國。時(shí)長(cháng)共102分鐘,語(yǔ)言對白英語(yǔ),最新?tīng)顟B(tài)超清。該電影評分6.9分,評分人數558人。
張子楓,王景春,張子賢,王驍,張佳寧,楊恩又,陸思宇,李曉川
崔維斯·費米爾,托比·凱貝爾,寶拉·巴頓,吳彥祖,本·福斯特,多米尼克·庫珀,魯絲·內伽,克蘭西·布朗,丹尼爾·庫德摩爾,羅伯特·卡辛斯基,本·施耐澤,格倫·克洛斯,考樂(lè )姆·吉斯·雷尼,泰瑞·諾塔里,瑞安·羅賓斯,博爾克利·杜菲爾德,丹·佩恩,迪倫·肖明,唐尼·麥克尼爾,邁克·安東納科斯,拉吉·拉爾
卡羅琳·勞倫斯,湯姆·肯尼,克蘭西·布朗,比爾·法格巴克,勞倫斯先生,羅德格爾·邦帕斯,約翰尼·諾克斯維爾,克雷格·羅賓森,格蕾·德麗斯勒,伊利婭·伊索雷利·保利諾,馬修·卡德瑞普,旺達·塞克絲,克里斯托弗·哈根,瑞歐·亞歷山大,瑞恩·貝蓋,凱瑞·華格倫,瑪麗·喬·卡特利特,吉爾·塔利,迪·布拉雷·貝克爾,邁爾斯·哈爾
《龍鳳斗智》是一部電影,它融合了劇情、愛(ài)情、驚悚和犯罪等元素。故事的主角是托馬斯·考恩,他是一位百無(wú)聊賴(lài)的百萬(wàn)富翁。盡管他生活富裕,但他感到非常無(wú)聊和空虛。為了尋找刺激,他決定策劃一場(chǎng)完美的銀行搶劫案,他同時(shí)也是一個(gè)搶劫集團的頭目。然而,一名美麗的女調查員維姬·安德森被保險公司派來(lái)調查這起案件。聰明的維姬很快發(fā)現了托馬斯的真實(shí)身份。然而,令人意想不到的是,兩人在斗智斗勇的過(guò)程中竟然相愛(ài)了?!洱堷P斗智》由史蒂夫·麥奎因和費·唐納薇主演,他們都是非常有魅力的演員。這部電影獲得了奧斯卡金像獎和金球獎的認可,因為它扣人心弦的劇情和精彩的演技贏(yíng)得了觀(guān)眾的喜愛(ài)和贊譽(yù)。
這篇影評可能有劇透
中規中矩的劇情,沒(méi)什么特別出彩的地方,所以,faye到底換了幾套衣服呢?
最喜歡6(拍賣(mài)行)、16(吃早餐)和20(沙灘)
"I was that image—usually it was the blond, strong, conventionflaunting, groundbreaking woman. Vicki was really the first in what would become something of the archetypal character for me— a woman pushing the envelope. These were women who found out who they were, who expressed who they were, and who were able to function as complete human beings, the way men do in the world. From Vicki would come Diana Christensen in Network, and later Laura Mars and others. That I didn't take the typical roles that were there for actresses, where the women are more traditional, feminine, and demure, was one part me and one part the star machine.
"Those groundbreaking roles came to me with a great deal of regularity. I was awfully good at acting them, but they weren't necessarily me. The irony is that these roles created my career, gave me the chance to strut my stuff, to accomplish what I wanted to accomplish in my work, to win the Oscar. And yet with Vicki, this transmutation, the change, the journey away from who I am, began. All these women were dressed to the nines, while I yearn to dress in the simplest clothes now, and I do. But it's been a long journey getting there. I dress in khakis and white shirts and that's about all I wear anymore. But back then, it was all about how you looked, what your hair looked like, what your makeup looked like, and I bought into that illusion in far too great a way."
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